The Trinity grace the cover of Studio Cine Live’s issue for Batman v Superman, and it looks pretty similar to other covers we have seen. Wonder Woman seems to be in a slightly different pose, while the other two stand there and flex. Ben Affleck and Henry Cavill talked about playing their iconic characters and it just builds up the hype.
Usually, the films show Batman starting off, or in the prime of his career. Here, you’re dealing with an older version, a guy at the end of his journey. He’ll find meaning in his own life during his conflict with Superman. He really thinks Superman is an existential menace, and he believes destroying him will be his legacy. We also play a bit more with the billionaire playboy side of the character. He lives that life at full tilt. He courts many women, owns many cars, and parties a lot. He does that as a way to fill the void in his soul. Moreover, past incarnations dealt with a straightforward search for justice. This time, Batman’s reasoning is clouded by frustration, bitterness and anger.
When you’re reading the script, you’re wondering how you’re going to play Batman. Then you put on the suit, you look in the mirror and you tell yourself: ‘There, that’s it.’ The suit does all the work for you. In fact, you’re not playing Batman, but Bruce Wayne. That’s when the character becomes complicated and interesting. Batman himself is already a strong emblematic figure. It would be a mistake to overplay him.
I really like their design. They’re faithful to Frank Miller’s vision in The Dark Knight Returns comic. In fact the movie borrows a lot from that comic, as noted by our use of the massive and very symbolic battle armor. They’re pretty heavy and cumbersome in the end. The challenge was to create fight scenes where I could move with ease, which is tough. The suits have to look cool and be functional at the same time. One thing that couldn’t be done before but is finally possible now is to wear the suit without the arms. They put motion sensors on my arms to recreate the rest of the suit in post production. And that allowed me to move my arms freely without looking like a robot during fight scenes. I think it was the first time an actor could have all that flexibility and move his head in a Batsuit!
That filming took so long – 140 days – and that everything was so compartmentalized, fragmented. It was tough to recall where a particular scene fit in the overall story, or to understand those moments that were stuck between SFX heavy shots which would be completed in post. I’m not used to that type of filmmaking, I can’t switch to cruise control, I have to restart the engine every time. For instance today I’ll only be filming shots of about ten seconds or so, which will then be edited to build an entire scene. I’m more used to shooting a whole scene in order to try different things. This time around it’s very technical, and you don’t really have much freedom amid all those visual effects.
Between the character that was written by Chris Terrio and Jesse Eisenberg’s portrayal, it’s the meeting of two great minds, on the same wavelength. Luthor is, for me, the most interesting character in the film. He’s radically different from what we’ve seen so far. He’s grounded in reality, and he’s extraordinary. This type of film is only as good as its villain. That’s why The Dark Knight was so brilliant, because of Heath Ledger’s Joker. Jesse improves the film with each scene he’s in. He’s not your usual one-dimensional villain, there’s a whole psychology behind him.
I don’t think this film has any sort of lesson, but it’s more than just entertainment, it’s also trying to show that there are real consequences to violence. When a building collapses, people die, and those are lives lost forever. This film also shows that fear is the enemy of us all. Fear brings out the worst in us. When we fear powerful people because we think they might destroy us, we tend to use that to justify any decision we might be tempted to make. There are some parallels with preemptive strikes, and things like that. It allows us to analyze how we think about what we do, when facing a threat. That’s very relevant to what’s going on in the world right now. The film tackles pertinent themes.
Well… When you see the film, you’ll realize it’s more complicated than that! There’s no real winner. I like the idea that Truth is the winner.
Superman himself isn’t that different. He does however have to deal with a new set of problems because he’s now been revealed to the world. This film is more about how the world in general – and Batman in particular – sees this alien, and less about the evolution of Superman. We’re seeing Superman and Batman together for the first time in a movie, with flesh-and-blood actors. They’re two sides of the same coin. They have the same goal, but use very different methods to achieve it. Understandably, that leads them to clash with one another, and their conflict is a historic moment.
Comparisons with Christopher Reeve’s clumsy Clark Kent are inevitable. My Clark Kent is trying to be as small and invisible as possible. If you’re awkward and spilling things constantly, people are going to notice you, and that’s not the best way to go unseen. You have to admit, it’s not a remarkable disguise, just a pair of glasses. He’d like to think that no one will believe he could be Superman. How could such a delicate flower be a living god? Preposterous. Superman’s suit will evolve from one film to the next, even if they’re just minor updates.
It’s easier to take it off when I have to relieve myself! Suddenly my life is much less complicated.